More Is Now – New Czech Architecture

3 min read

When people think of Czech architecture, one building usually springs to mind almost immediately: Villa Tugendhat in Brno. Ludwig Mies van der Rohe and Lilly Reich designed it in 1929, and to this day it is regarded as one of the most influential buildings of European modernism. Almost a century later, the German Architecture Museum (DAM) in Frankfurt is showcasing how, behind this great legacy, an architectural scene has developed that is virtually unknown in Germany. A young generation seeking its own answers to today’s architectural challenges – and one that refuses to be intimidated by the radiance of modernism.

Revitalisation of the Sudetenland in the Ore Mountains, 2022–2025. No Architects, photo: Studio Flusser

New Czech architecture

The exhibition has been organised to mark the Czech Republic’s appearance as Guest of Honour at the Frankfurt Book Fair. It takes this opportunity to introduce the German public to the work of predominantly younger architects. Around 30 award-winning buildings are on display, curated by Helena Huber-Doudová of the National Gallery in Prague.

Janko Kráľ Skatepark beneath the SNP Bridge in Bratislava, 2020–2024. U / U Studio, photo: Kubo Krížo
Winternitz – Conversion of the grain silo in Pardubice, 2018–2023. Prokš Přikryl, photo: Petr Polák
Štvanice Footbridge (HolKa) in Prague, 2022–2023. Atelier Bridge Structures & Blank architekti, photo: Alex Shoots Buildings
‘1 KM Stadtwandel’ in Prague, 2013–2024. CCEA MOBA, photo: Zdenek Has

What is particularly fascinating is the geographical selection: most of the projects on display are not in Prague, but in the wider region. In this way, the exhibition deliberately draws attention to a Czech Republic beyond the capital – to places whose architectural development has so far been largely overlooked in German-speaking countries.

House in ruins in Jevíčko, 2016–2020. ORA, photo: BoysPlayNice

Architecture reimagined

And that is precisely what makes the exhibition so interesting for planners and those with an interest in architecture. It shows how a young generation of architects is coming to terms with a rather weighty modernist legacy without constantly drawing on it.

It also makes it clear that architectural quality is not confined to major cities – an idea that ties in well with the urban-rural debate in Germany. And it offers a rare opportunity to see current Czech building projects in direct comparison, rather than merely being familiar with them in isolation from specialist publications.

Lasvit headquarters in Nový Bor, 2014–2019. OVA, photo: Tomáš Souček

The Legacy of Modernism

The reference to Villa Tugendhat is not a chance curatorial allusion, but a deliberately established framework: the house, which Mies van der Rohe and Lilly Reich designed in their forties, represents a moment when international modernism and the local context converged in Brno – with a result that continues to have an impact to this day. The exhibition implicitly raises the question of whether a similar relationship between global influences and regional roots can be found in Czech architecture today.

Villa Tugendhat in Brno, 1928–1930. Ludwig Mies van der Rohe in collaboration with Lilly Reich, photo: Schnepp Renou

What: ‘More Is Now – New Czech Architecture’ exhibition 
When: 19 September 2026 – 17 January 2027
Where: DAM Frankfurt (German Architecture Museum) 

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